If you plan to visit Lizamore & Associates gallery this weekend, be sure to punch this in the face! I dare you! Not that I’m a fan of violence, but lets call this an exercise – feel free to interact. After all it is a punching bag.
Unless there is a sticker on it, which usually means that it has sold, and then it does not belong to me anymore…but as far as I know, for now, I am still able to give you permission. If you do decide to interact with this piece, feel free to send me some footage.
Detail: ” No sweat” with “Water up to the throat” in the background. Installation view. Photographer: Melanie Tait
When anemones bleach, Nemo and pals get stressed out and simply stop laying eggs, according to new research published Tuesday in the journal Nature Communications. And scientists suspect that pattern may hold for untold numbers of other fish nurtured by either corals or anemones. -National geographic-
“She does not hold water” Cotton thread embroidery and rubber
and in this case she does not hold good news. But hopefully all is not lost, since the headline of the article in the National Geographic uses the word “MAY” which to me indicates that there is still hope. Nature has her way to adapt. #comehellorhighwater
This time next week my solo exhibition in conjunction with Marieke Krugers exhibition opens at Lizamore & Associates gallery….
TAUTE AND KRUGER INTERROGATES IDENTITY CONSTRUCTION, THE SUBLIME AND THE ‘OTHER’ AT LIZAMORE IN OCTOBER
Come Hell or High Water by Hannalie Taute unfolds around an exploration of the ocean as a metaphor for identity. Taute masterfully intertwines the notion of identity construction with other conceptual threads, often resulting in shrewd commentary on society and popular culture. This exhibition consists of Taute’s well-known work in rubber and thread. She uses recycled inner tubes with embroidery thread with the aim to make the medium of the piece interact with the subject matter in a way that forces the viewer to deeply engage and question the artwork. To enforce this interaction with the viewer, the titles of Taute’s works are ambiguous; they all refer to idioms about water (especially the ocean) that initiates a game with the viewer through a play of words, that hints to the social commentary each word interrogates. Taute’s Come Hell or High Water takes the viewer on a visual journey through the artist thoughts presented as metaphorical narratives about the ocean and water.
Marieke Kruger exhibition; Carceral Space II: Anticipating the sublime is centered around Kruger’s large-scale charcoal portraits that deals with experiences of the sublime. Through this body of work, the artist explores the transformative power of suggestion and the ways through which a certain presence can be contained and result in an experience of the sublime. The central focus of this body of work is the portrayal of the self and the other – in this case, prison inmates with whom Kruger interacts. Kruger explores the self and the other’s relationship to space – thereby creating a means through which the sublime in these drawings can be explored and subsequently have a transformative effect on the self and the other. “My suggestive portrait drawings, in essence, function as transformative psychological and spiritual self-objects which would, in certain areas, almost become abstract landscapes in which case the drawing trace itself would start functioning as an autonomous means of communication” Kruger explains.
Thursday, 05 October 2017 | 18:00
Join us for a glass of wine and to meet the artists.
Walkabout with the artists
Thursday, 05 October 2017 | 17:00
I hope to see you there!
P.S I am not on Facebook, but if you are, then you are welcome to check out the event here: