enter 2022…(available work at Gallery Grande Provence)

Art portfolio- my work

Enter 2022 with

“Arms wide open”

Arms wide open
(2020), Cotton thread, batting and rubber, 38 x 24 x 9 cm – Available via Gallery GP

because

Shit is getting real, Cotton thread, polyester fiber filling and rubber (available via gallery GP

and

Everything not saved will be Lost  (2019) 87 x 56 cm (sold via gallery GP- image courtesy of the gallery)
Childhood ghosts (2020), 68 x 19 x 8 cm Cotton thread, batting and rubber (Available via gallery GP)
Sweet tooth (2020), Cotton thread, batting and rubber 31 x 15 x 9 cm (available via Gallery GP)
Hot (2020), Cotton thread, polyester fiber filling and rubber 95 X 25 X 8 cm (available via Gallery GP)
Hashtag WTF (2019), Doillie, cotton thread and rubber, (image courtesy of and available via gallery GP R43 000.00)
gallery view – image courtesy of the gallery at Grande Provence

For more info or to register your interest you are welcome to contact Pieter at the gallery via email

gallery@grandeprovence.co.za

or phone:  021 876 8630

or visit the gallery: at Grande Provence Heritage Wine Estate, Main rd, Franschoek, 7690

alternatively visit their website at https://www.grandeprovence.co.za/blog/category/gallery-exhibitions/

Please stay tuned – I will update this space each week with more available works 2022 and where to see it.

Until then, wishing you all the best xxx

Join the party!

Art portfolio- my work

This is a #fairwarning to join the party!

#fairwarning!

you don’t have to suffer from FOMO

FOMO 70 x 18 x 10 cm Cotton thread, polyester fiber filling and rubber 2020 Hannalie Taute

so put a smile onto your face…

Put a smile on your face

because there is a change of plans

Change of plans

We would like to welcome you with arms wide open for the annual Turbine Art Fair

With arms wide open

…because shit is getting real – virtually!

shit’s getting real

It is going to be HOT!

HOT

AAAH-HAAA!

HAAA-AAAH! (SOLD)

There will even be a “Neighbourhood watch”:

And this little guy promises you a whale of a time:

a whale of a time

even if there is a wild goose chase

Sweet-tooth would like you to Eatmore and Seemore!

Sowaar as Padda-manel! So stop Horsing around because you can’t touch this!

You have to earn your stripes!

earn your stripes SOLD

…even among a (K)not of snakes!

(k)not of snakes 215 x 108 cm cotton thread and rubber 2018

for more info please visit Millennium gallery, or contact Ronel at https://www.millenniumgallery.co.za/about

Join the party Installation view

.In warm water. On Being. A Womxn. Show

Art portfolio- my work

In warm water, cotton thread, doillies and rubber 2017 (photographed by Kleinjan Groenewald)

Did you know that a female octopus is known as a hen? – (source: internet)

“In the octopus world, females are boss. They are often larger than males and can pose quite a threat. The male is in a troublesome position because he wants to pass on his genes by mating with a female, but females can turn on their partner quick, strangling him and bringing his carcass back to her den as a meal.” (source: http://www.study.com)

In warm water = to be in or get into a difficult situation in which you are in danger of being criticized or punished

 “Prioritizing their motherly duties, females stop eating. But she doesn’t starve to death–rather,when the eggs hatch the female’s body turns on her. Her body undertakes a cascade of cellular suicide, starting from the optic glands and rippling outward through her tissues and organs until she dies”. (source: http://www.smithsonianmag.com

“The scientific jury is still out as to why these clever, resourceful creatures meet such an ignominious end, but there are several theories. Octopuses are serious cannibals, so a biologically programmed death spiral may be a way to keep mothers from eating their young.” (Source: http://www.sciencedaily.com)

on being a woman in the arts, on being a woman in South Africa, on being a woman in this world.

ON BEING is a group show featuring some of South Africa’s finest contemporary artists working in a range of mediums: painting, sculpture, drawing, ceramic and mixed media.

Does one celebrate women’s day in South Africa whilst we are facing a national crisis in gender-based violence? Is it tokenism to celebrate women for one day (or a month)? We asked these questions in discussions for this show. Women artists have and continue to hold their own in our space year-round. However, any opportunity to highlight women- we will take. The title of the show aims to speak to the lived experience of women in this country; it calls for celebration and mourning, as being a woman in South Africa means both. 

This exhibition features works not specifically made for a women’s exhibition, but have been selected by the curators as to offer an insight into the interior world of being a woman and to celebrate our artists by highlighting their work. 

We remember the 20 000+ women who marched on the streets in 1956. We pay tribute to them for their courage and strength. We pay tribute to all our women artists. We look to the future, knowing that there is still much to do.”  EVERARD READ FRANSCHOEK GALLERY PRESS RELEASE

The group Exhibition: “ON BEING/A WOMXN’S show” at Everard Read Franschoek openend yesterday and will run until the 7th of September 2020. Please visit their website for more information.

Come hell or high water…opening night

Studio news

What I wore: rubber collar in collaboration with the Tailor: William Mills from Stilbaai

A big thank you to everyone who came to the opening of Come Hell or High Water at Lizamore & Associates gallery on the 5th of October!

With Teresa Lizamore at Lizamore & Associates gallery

Images courtesy of the gallery – Lizamore & Associates

Rubber collar: a collaboration with the Tailor: William Mills

Boots: Heels to Heaven

Vintage lace dress: a gift from my friend Camille Haupt