EUCATASTROPHE – The Cake!

Studio news/blog

Since it’s almost weekend, let’s talk cake!

Cake by Miche

This incredible cake (as seen above) made by MICHE for an EUCATASTROPHE added a special touch to the exhibition.

The team from MICHE noticed that I was a saddened by the idea of not having a cake at my wedding-themed exhibition (Eucatastrophe), especially since wedding cakes are a part of weddings since Ancient Rome. Even though the cake back then was more like a scone-barley cake, which were broken over the brides head during the ceremony to ensure good fortune and fertility. (for more on the history of wedding cakes see Gastronomica: the journal of critical food studies: https://online.ucpress.edu/gastronomica/article-abstract/5/2/69/46511/Wedding-Cake-A-Slice-of-History?redirectedFrom=fulltext

MICHE kindly offered to make a cake!

So I send them a video with a sneak peek/preview of the exhibition and we discussed certain possibilities, and this cake is a result of how they interpreted the work.

Cake by MICHE
detail Cake by MICHE
Detail cake by MICHE

How incredible is the detail. They even stitched the fondant!

If you want to know more about them check out this video:

Or check out their Instagram:

https://www.instagram.com/miche_rk/

Wishing you a wonderful weekend ahead!

A(r)ttraction

press, Studio news/blog

Dear friends,

While ones work is on display at an exhibition, hanging in a gallery, you are rarely aware of who gets a chance to see it. Who and how someone reacts to it. What they ‘get’ from it.

I am always curious what attracts a person to certain work/s of art.

ATTRACT: early 15c., “draw (objects or persons) to oneself,” also a medical term for the body’s tendency to absorb fluids, nourishment.

ATTRACTION: c. 1400, attraccioun, originally medical, “action or property of drawing (diseased matter) to the surface,” from Old French atraccion (13c.) and directly from Latin attractionem (nominative attractio) “a drawing together,” noun of action from past participle stem of attrahere “to draw, pull” .

Extended by c. 1600 to magnetic forces; figurative sense “quality in a person which draws interest or imagination” is from c. 1600. Meaning “a thing which draws a crowd, interesting or amusing exhibition” is from 1829, a sense that developed in English and soon transferred to the French equivalent of the word.

 

Sometimes, just sometimes, you hear from such a person.

Ernst Gypsy (Jan Ernst de Wet) saw my work at the “Well worn” exhibition currently showing at the Cavalli Estate….we started a conversation via social media…and then this is what happened (I quote):

 I have taken from Taute’s work a process that engages with familiarities, the abstract of products from other art forms such as music and literature and tried to make it applicable to my skills and understanding.

Read the full version here:

MELODY-MONTAGE-EMBROIDERED-HANNALIE-TAUTE

It’s a very different kind of feature/interview/article….I love his way of looking at the world, thinking about the work, generating ideas, and making it his own.

Embroidered rubber by myself and ‘digital embroidery’ by Jan Ernst de Wet

I quote:

Art acts as a mouthpiece to communicate the similarities between everyday life and the way we perceive, interpret or experience it. It’s not about capturing it accurately, but rather how we bring to life a part of it that someone can resonate or identify with and therefore face a reality about themselves.

I invite you to click on the link: https://ernstgypsy.wixsite.com/ernstgypsy/single-post/2018/03/27/MELODY-MONTAGE-EMBROIDERED-HANNALIE-TAUTE to see the results of his investigation….his interpretations!

P.S and of course I also love the links he published of the music that inspired him. 😉

P.P.S I’d like to leave you with this quote:

“He asked…’Did art get us?” The question for me wasn’t if art got us. The question was “Do we regret that? I know art got us, because if art gets you, you can never be normal. You can’t go anywhere without trying to transform it, you know?”

Patti Smith with Robert Mapplethorpe