I do, I undo, I redo and repeat…

Studio news/blog

“I do, I undo, I redo” is one of my favorite quotes by Louise Bourgeois, because it is so relevant to my practice lately.

The same artist also said the following in a documentary about her work:

“It’s difficult to be a woman and to be like-able. This desire to be like-able…its really a pain in the neck.ย  How are you going to be like-able and be yourself? There are doubts. I’m full of doubts”

studio shot, work in progress

Before my son took these photos, we had a nice chat about my work. He said he kind of like it, but it is a bit strange….(mmm coming from an eleven year old boy who likes zombies etc), but he explained that flowers coming from vaginas and images where it looks like I’m ripping my rib-cage open with a skull as head, qualifies to him as ‘weird’. He also added that he hope people will “like” my work.

I realize that to him at this stage of his life it is very important to be liked and to ‘fit’ in with his peers. How do I explain to him that as an artist I’ve grown a thick skin and that to me being liked is not as important as to do what I like?

Someone also told me some time ago that they “like” my work but will not be able to live with it in their home. Which I understand and accept, but in this day and age where everyone on social media wants a bunch of likes and for a boy dreaming about a Playstation VR headset which he hopes he can get when I sell lots and lots of work…it is not so easy to comprehend.

studio shot 2

So I will leave you with this quote I saw on the internet recently:

“your art

is not about how many people

like your work

your art

is about

if your heart likes your work

if our soul likes your work

it’s about how honest

you are with yourself

and you

must never

trade honesty

for relatability

  • rupi kaur

 

Jabberwocky

Art portfolio- my work

“And, as in uffish thought he stood,

The Jabberwock, with eyes of flame,

Came whiffling through the tulgey wood,

And burbled as it came!”

-Lewis Carroll, 1872

from the poem titled Jabberwocky, which is currently my son Stephan’s favourite poem, especially when his dad reads it to him with a Scotttish accent.

He sees monsters everywhere detail

Initially my eldest son, inspired this work, because he used to see ‘monsters’ everywhere. He is quite tall for his age, thus looks older than he is, and he doesn’t like sleeping.ย  He is also blessed with a vivid imagination.

I am constantly amazed how two children from the same household can be so different from each other. Where Etienne is sensitive and fearful, his brother Stephan fierce and a handful. I say this in the most loving and respectful way. I love them both in every-way.

He sees monsters everywhere 2016

Who is the ass anyway?

Art portfolio- my work, Studio news

“”Introspection is a devouring monster.ย  You have to feed it with much material, much experience, many people, many places, many loves, many creations and then it ceases feeding on you” -Anais Nin

who is the ass anyway detail

“Who is the ass anyway” will be hanging out with other monsters, misfits and mermaids in BaardskeerdersBos on the 22-23 of September 2018. I hope to see you there!

Who is the ass anyway 62 x 42 cm cotton thread batting and rubber (wood frame) 2016

If you cannot make it, don’t despair, for I am putting together a e-catalogue.ย  If you wish to receive one, send me a message with your email address to be added to my mailing list. …Looking forward!

another quote from “The Muse”….

Studio news

“Don’t let your ability drag you down like an albatross.”

When something is considered “good” it draws people in, often resulting with the eventual destruction of the creator.

So whether you think its good or not should be entirely irrelevant, if you want to carry on..”

Quote from: The Muse by Jessie Burton

Quote of the day from “The Muse”

Studio news

Detail: “Her dark side- fetish” embroidered rubber
Photographer Kleinjan Groenewald.

“Isaac had talked on occasion about about art, about famous painters and what made someone stand out from the rest.

‘Novelty’, he always said, ‘makes the difference’.

It was the fact that they were unlike the rest.

‘You can be a brilliant draughtsman’, he said, ‘but that means nothing if you’re not seeing the world differently.”

From the book “The muse” by Jessie Burton