A lot of random and nostalgic thoughts have been buzzing in my head lately while I try to get my website up and running.
Firstly: I notice that a lot of high profile artists don’t have a website eg: William Kentridge, Wim Botha etc….they are signed with galleries and their work can only be seen on those. So I ask myself, should I not bother and just try and get signed with a gallery?
Maybe I should just go ahead and enjoy the experience of trying to make my own site with the free website design programs available to one. Why make a website in the fist place? Why do I write this blog? Why not make a Facebook page only?
Secondly: Should I upload everything I ever did? Did my career start in art school? After art school? With my first exhibition ever? With my first gallery show? With my first solo show? With my first sale?
Did my vocation begin in pre-primary when my teacher told my parent that I cannot colour in properly? Did it start when I decided that art is what I want to do everyday of my life?
is less more, or is less a bore? (cant remember where i heart that phrase)
I am a late bloomer to technology and the internet. I cannot recall when I sent my first e-mail, but it was probably 2004 ish….
While trying to decide which work to upload I was looking through this big Braille book which contain images of my work from 1998 to 2003. I got this Braille book from the Institute for the blind in Pretoria in 2000. This book is apparently the book of Matthews (from the Bible). After all these years I still wonder if: one big book is one book from the Bible, how many make the whole Bible in Braille? Would it fill a room?
“Sy is…..” wood and silkworm silk.” 2002
While paging through this book I realized that that was my website back in the day. It was the book I took along to my first meeting with a curator of a gallery. The book stop at images from 2004, so I guess that’s when I started to use the internet.
two versions of my portfolio
Anyway so I enjoyed looking at the work I made in the past. Funny how one can see some ideas recurring in new work again…
like the use of found objects, doll parts/clothing and the facsination with Mythology, in
the toy like sculptures:
Melepomene: muse of tragedy. mixed media 2003
from the “Madam choose your personality” series 2004
Chapter 9- Problems with the children: Toy #6. Mixed media and found objects. 2012
And works on paper like these ‘prints’ :
untitled prints and work on paper 2004
Things considered typically feminine: torture. Transfer print and found objects on fabriano paper. 2007
Pagina 7. Archival print on Archival paper. 2013
and of course dressmaking pattern paper:
Cutting edge series. 2004
Show and tell – The ugly duckling. Pattern paper and glue. 2009
Chapter 10 – A brief visit with father time: “Back in the day…” Dressmaking pattern paper and wool on board. 2012
also embroidery on objects/toys….
“My bokkie, my poppie, my chick…mixed media 2002
Miss-Understood. Altered polaroid and embroidery on linen. 2004
Woman is….(Embroidery on rubber) 2013
Should I upload some images from my art school days like these prints? Its not that they are extraordinary but I still feel proud of them.
Litho print and colour etching 1998
I also tend to destroy or rework old work:
Self portrait, (cement fondue) 1999
The above bust, were recently transformed into this:
Currently still “Untitled” Embroidery and rubber. 2013
Sometimes I feel sad about those I destroy:
Fop series. I think 2005? (destroyed)
decisions…..decisions……I think I have decided to include these older pieces in my website, but before I do: any thoughts from you?
and while I try to decide, I stumble upon Pinterest….facinating, and dangerous. I decided not to start my own Pins yet, I’ll rather browse those of others once in a while. As you might have noticed: I am very fond of toys, and fell in love this pinboard (see here)
and of course collage and mixed media (see here)