Tomorrow is the final day for Awesome Womxn!

Studio news/blog

Thank you to a friend who send me the above image!

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Reminder: Opening tonight and you are invited!

Studio news/blog

The Awesome Womxn exhibition 2019
a group exhibition curated by

Dr Adéle Adendorff

The exhibition will be opened by
Dr Rory du Plessis
on Friday 2 August 2019 at 19h00

Opening
Friday 2 August 2019 from 18h00 to 20h00

Closing Date
Tuesday 20 August 2019 at 15h00

Chimamanda Ngozi Adichie (2014) explains in her book, We should all be feminists, that ‘single stories’ curtail and inform our thinking, ‘especially about Africa.’  Adichie urges us to ‘unlearn’ the lessons of our youth and instead foster new narratives where we may all strive to be as we are.

Awesome Womxn is a group exhibition curated by Dr Adéle Adendorff and hosted by the Association of Arts Pretoria in celebration of Women’s Month 2019.

The exhibition aims to make visible alternative, polyvocal and multiple stories around the intersectional category, womxn.  Artworks from thirty artists working with various materials and subjects offer a platform where we may expand our imaginations beyond the normative categories of gender and race to project new possibilities for ourselves and others.

The exhibition will be opened by Dr Rory du Plessis who lectures in Visual Culture Studies at the University of Pretoria and is also the co-editor of the accredited journal, Image & Text.

Association of Arts Pretoria
173 Mackie Street
Nieuw Muckleneuk
Tel:  012 346 3100
Pieter van Heerden:  082 774 4390 | Nandi Hilliard: 083 288 5117

Gallery Hours
Tuesday to Friday:  09h00 to 18h00
Saturday:  09h00 to 13h00
Sunday 4 August 2019:  10h00 to 13h00

Awesome Womxn!

Art portfolio- my work, Studio news/blog

I’m excited that my work will be included in the “Awesome Womxn” group- exhibition curated by Dr. Adele Adendorff, hosted by the Association of Arts in Pretoria in celebration of Women’s month 2019.

Awesome Womxn series

from the curator:

Chimamanda Ngozi Adichie (2014) explains in her book, We should all be feminists, that “single stories” curtail and inform our thinking, “especially about Africa.” Adichie urges us to “unlearn” the lessons of our youth and, instead, foster a new narrative where we may all strive to be as we are.

This year’s exhibition is viewed as such an open platform whereby gender, in particular, womxn, are celebrated, questioned, showcased and narrated to offer new, multiple stories of who we are.  The appellation, womxn, is an open-ended and inclusive term that offers alternative narratives for all who identify with the intersectional politics of womxn. The exhibition will be accompanied by a digital catalogue.

Inanna and Pre-Her-Storic

meanwhile … The word “Womxn” made me think of:

The X-men (superheroes) … which made me think of

Manga (Japanese comics)…but actually a “mangled Manga”, since I added animal heads onto the ‘Manga’ inspired bodies of these figures. I also find it noteworthy that the word Manga, contains “man’  (tongue in the cheek, cheekiness)

I decided to work on a series of:

Toys/Dolls…because I thought of …

Simone de Beauvoir:

 “…one is not born but rather becomes a woman”. In childhood there is no difference between the sexes in terms of what they are capable. Differentiation begins when boys are told of their superiority and how they need to prepare for the difficult, heroic path ahead. While pride in his sex is pointed out to him by adults, the girl’s sexual anatomy does not receive the same reverence. Urinating also produces a sexual difference: for the boy it is a game, but for the girl a shameful and inconvenient procedure. Even if a girl has no ‘penis envy’ the presence of an organ that can be seen and grasped helps him to identify himself and it becomes a kind of alter ego. For the girl it is the doll which becomes the alter ego. There is really no “maternal instinct”, de Beauvoir argues, but through play with the doll she ascertains that the care of the children falls on the mother, and “thus her vocation is powerfully impressed upon her.” 

“I deny that they establish for her a fixed and inevitable destiny”. Biology is not reason enough for male/female inequality, or grounds for woman being cast as ‘Other’, and her physicality does not condemn her to remain subordinate. Moreover, while animals can be studied as static organisms, it is much harder to make assessments of people as male or female human beings, since our sex does not define us in the way that it does other animals. 

 

I also looked at Comparitive psychology: Comparative psychology is the study of animals in order to find out about humans. The underlying assumption is that to some degree the laws of behavior are the same for all species and that therefore knowledge gained by studying rats, dogs, cats and other animals can be generalised to humans.

So I used toys from my own collection as a starting point:

I always thought that Bambi was female, but while paging through a book I noticed it’s a he! Also noteworthy is that my youngest son says there is a Bambi book at school, but “its for girls”

So please meet…

Bamboozle – Cotton and acrylic thread, rubber, polyester fiber filling, 61 x 20 x 5cm

BAMBOOZLE (title of the work below) and I like that the word means: to trick or deceive someone, often by confusing them 

No Action Hero – Cotton and acrylic thread, rubber, polyester fiber filling, 41 x 15 x 5 cm

NO ACTION HERO

In Old English sources, the word man was neuter. One of its meanings was similar to the modern English usage of “one” as a gender-neutral indefinite pronoun (compare with mankind (man + kind), which means the human race).

Inanna – Cotton and acrylic thread, rubber, polyester fiber filling, 46 x 13 x 5cm

INANNA

Inanna is an ancient Mesopotamian goddess associated with love, beauty, sex, desire, fertility, war, justice, and political power. She was later worshipped under the name Ishtar. The word Ishtar made me think of Easter hence the bunny(fertility), but Inanna’s most prominent symbol is actually the lion.  Inanna was believed to have stolen the mes, which represented all positive and negative aspects of civilization,

Inanna has become an important figure in modern feminist theory .  Simone de Beauvoir, in her book The Second Sex (1949), argues that Inanna, along with other powerful female deities from antiquity, have been marginalized by modern culture in favor of male deities

Inanna is also an important figure in modern BDSM culture. Author and historian Anne O. Nomis has cited the portrayal of Inanna in the myth of Inanna and Ebih as an early example of the dominatrix archetype, characterizing her as a powerful female who forces gods and men into submission to her.  (source consulted: Wikipedia)

Skunk- a- la – Nancy
Cotton and acrylic thread, rubber, polyester fiber filling, 53 x 17 x 5cm

SKUNK a la NANCY:

Her name is inspired by the band: Skunk Anansie : a “clit-rock” group, which Allmusic clarifies as “an amalgam of heavy metal and black feminist rage”

and Last but not least:

Pre-Her-Storic:

Pre-Her-Storic
Cotton and acrylic thread, rubber, polyester fiber filling,
32 x 40 x 5cm

The Awesome Womxn group-exhibition opens on the 2nd of August 2019.