Thank you to a friend who send me the above image!
I’m excited that my work will be included in the “Awesome Womxn” group- exhibition curated by Dr. Adele Adendorff, hosted by the Association of Arts in Pretoria in celebration of Women’s month 2019.
from the curator:
Chimamanda Ngozi Adichie (2014) explains in her book, We should all be feminists, that “single stories” curtail and inform our thinking, “especially about Africa.” Adichie urges us to “unlearn” the lessons of our youth and, instead, foster a new narrative where we may all strive to be as we are.
This year’s exhibition is viewed as such an open platform whereby gender, in particular, womxn, are celebrated, questioned, showcased and narrated to offer new, multiple stories of who we are. The appellation, womxn, is an open-ended and inclusive term that offers alternative narratives for all who identify with the intersectional politics of womxn. The exhibition will be accompanied by a digital catalogue.
meanwhile … The word “Womxn” made me think of:
The X-men (superheroes) … which made me think of
Manga (Japanese comics)…but actually a “mangled Manga”, since I added animal heads onto the ‘Manga’ inspired bodies of these figures. I also find it noteworthy that the word Manga, contains “man’ (tongue in the cheek, cheekiness)
I decided to work on a series of:
Toys/Dolls…because I thought of …
Simone de Beauvoir:
“…one is not born but rather becomes a woman”. In childhood there is no difference between the sexes in terms of what they are capable. Differentiation begins when boys are told of their superiority and how they need to prepare for the difficult, heroic path ahead. While pride in his sex is pointed out to him by adults, the girl’s sexual anatomy does not receive the same reverence. Urinating also produces a sexual difference: for the boy it is a game, but for the girl a shameful and inconvenient procedure. Even if a girl has no ‘penis envy’ the presence of an organ that can be seen and grasped helps him to identify himself and it becomes a kind of alter ego. For the girl it is the doll which becomes the alter ego. There is really no “maternal instinct”, de Beauvoir argues, but through play with the doll she ascertains that the care of the children falls on the mother, and “thus her vocation is powerfully impressed upon her.”
“I deny that they establish for her a fixed and inevitable destiny”. Biology is not reason enough for male/female inequality, or grounds for woman being cast as ‘Other’, and her physicality does not condemn her to remain subordinate. Moreover, while animals can be studied as static organisms, it is much harder to make assessments of people as male or female human beings, since our sex does not define us in the way that it does other animals.
I also looked at Comparitive psychology: Comparative psychology is the study of animals in order to find out about humans. The underlying assumption is that to some degree the laws of behavior are the same for all species and that therefore knowledge gained by studying rats, dogs, cats and other animals can be generalised to humans.
So I used toys from my own collection as a starting point:
I always thought that Bambi was female, but while paging through a book I noticed it’s a he! Also noteworthy is that my youngest son says there is a Bambi book at school, but “its for girls”
So please meet…
NO ACTION HERO
In Old English sources, the word man was neuter. One of its meanings was similar to the modern English usage of “one” as a gender-neutral indefinite pronoun (compare with mankind (man + kind), which means the human race).
Inanna is an ancient Mesopotamian goddess associated with love, beauty, sex, desire, fertility, war, justice, and political power. She was later worshipped under the name Ishtar. The word Ishtar made me think of Easter hence the bunny(fertility), but Inanna’s most prominent symbol is actually the lion. Inanna was believed to have stolen the mes, which represented all positive and negative aspects of civilization,
Inanna has become an important figure in modern feminist theory . Simone de Beauvoir, in her book The Second Sex (1949), argues that Inanna, along with other powerful female deities from antiquity, have been marginalized by modern culture in favor of male deities
Inanna is also an important figure in modern BDSM culture. Author and historian Anne O. Nomis has cited the portrayal of Inanna in the myth of Inanna and Ebih as an early example of the dominatrix archetype, characterizing her as a powerful female who forces gods and men into submission to her. (source consulted: Wikipedia)
SKUNK a la NANCY:
and Last but not least:
The Awesome Womxn group-exhibition opens on the 2nd of August 2019.
Once upon a time I received a stuffed monkey from my brother in law. The monkey reminded me of a Tori Amos song called “Bliss”
and so: “Father I killed my monkey” (2015 version) was born :
….it was a piece where I experimented with stretching the rubber like a canvas and using oil paint straight onto the rubber as well….
but not feeling totally satisfied, I reworked it, covering the oil paint with thread yet again:
Now in 2019, I am invited to show work at the Hermanus Fine Arts Festival which starts on the 7th of June 2019.
33 South-African artists working with textile/fiber were invited with a brief to come up with work inspired by ‘music’ for the group exhibition titled: Shades and tones.
Not feeling satisfied with “Father I killed my monkey” I decided to ‘kill the monkey’ and rework it again. This time using Madonna as a starting point for this music-themed exhibition, not because I am a fan (I still prefer to listen to Tori) but because I admire how Madonna has always pushed the boundaries. I decided to focus on two songs from her early work, and use it as titles for these:
Since on the subject of ‘music’….I would like to leave you with this quote from Patti Smith:
“That’s what artists do, that’s what poets do…we all do it. We start with something, and sometimes we destroy everything that we’ve made in order to get to the core place where we started from.”
Group exhibition “Heroine” at MContemporary gallery in Sydney now showing until the 24th of March.