hannalie taute

artist

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Large rubber tapestries

embroidery on rubber

(k)not of snakes 215 x 108 cm cotton thread and rubber 2018

(k)not of snakes 215 x 108 cm cotton thread and rubber 2018 (Photographer Kleinjan Groenewald)

Tagged Contemporary Art, contemporary embroidery, embroidered rubber, fiber art, hannalie taute, rubber, rubberart, south african art, tapestry, textile art Leave a comment

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← Embroidered rubber portraits

Combines/sculptures →

I love fairy tales and fables. I do find a lot of inspiration from them. Working with fairy tales makes me able to cope with reality. I also often work with hybrid figures. In his book "The uses of enchantment" Bruno Bettleheim states that in fairy tales and dreams any physical malformation often stands for psychological misdevelopment. It is said that in these tales when the upper part of the body is animal and the lower part human, it indicates that things are wrong in the head/mind. 😬 do you have a favourite tale? #meettheartist2020 #hannalietaute part 9 fairytales

Flowers are a language of sorts (see floragraphy). The Victorians used flowers to send secret messages. I am also interested in what one would NOT say with flowers. Read between the blooms 😉 I find joy in the process of stitching a variety of blooms on small pieces of rubber and then arrange them in bouquet-like pieces..... Do you have a favorite flower? #meettheartist2020 part8 #hannalietaute #embroidered #flowers #stitchedbyhand #studiowall

Rubber is a very tactile substance and I love the skin-like quality of it, which can be highly fetishized. It also distances my work from the perceived softness or delicacy of "women's work' to become the opposite = hard labour. Working with rubber is like fusing two seemingly irreconcilable material forms together along with their associated symbolic values #meettheartist2020 part 7 - working with rubber #fortheloveofart #bemyvalentine #embroideredrubber #hannalietaute photographed by @k.groenewald

Words and titles are important to me. A title is the entrance into what the work is about, as well as having the potential for humour and mischief. Afrikaans is the language I feel comfortable with. It is a serious but also playful language. I do my thinking in Afrikaans so it is inevitable that it would show up in the titles of my work. . Title of work pictured here: "Hoogste bome vang die meeste wind" 2020 #hannalietaute #meettheartist2020 part 6

For as long as I can remember I liked to dress-up. As a little girl I used to wear my mothers heels, clothes and wrap cloth around my head imagining it is long hair. Even to this day I like to wear a variety of wigs. The first time I dressed up was for an exhibition in 2013, to generate attention for the exhibition, pretending to be a character in my make-belief world/kingdom. I think we all dress, to a certain extent, in a way we want to be attended to. I want to be surrounded by the emotions associated with the clothes/face-paint/wigs or masks im wearing. To me it is also a serious form of play. Wearing rubber can be kinky too 😝 #meettheartist2020 part5 #dressup #hannalietaute photographed by @k.groenewald #studioshot

I love contradictions. Dichotomies fascinate me for eg: art/craft, success/failure, self/other, good/bad, pure/sullied, masculine/feminine, self/other, nature/culture, life/death, human/devine, sacred/profane....and the list goes on.... I have a lot of conflicted feelings about the world we live in and sometimes those feelings extend to my work.#meettheartist2020 #hannalietaute part 4 of 13 😊 #workinprogress

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