“Eugenics” solo exhibition 2023 at .MContemporary gallery

As he hurried toward home, he saw a great path into the forest 2023 Photographic print on board, thread and rubber 84 x 59.5 cm SOLD
Hyena in Petticoats 2023 Photographic print on board, thread and rubber 84 x 59.5 cm
Servants sewed from morning until night 2023 Photographic print on board, thread and rubber 84 x 59.5 SOLD
The Sp(L)ice girls 2023 Photographic print on board, thread and rubber 84 x 59.5 cm
The good fairy visited the mother and father and said: ‘One day this child will prick her finger on the unicorn’s horn.’ 2023 Photographic print on board, thread and rubber 84 x 59.5 cm
We come in peace 2023 Photographic print on board, thread and rubber 119 x 84. cm
The giants started a terrible fight 2023 Photographic print, thread and rubber 84 x 59.5 cm SOLD
The giant will care for you 2022 Photographic print on board, thread and rubber 118.5 x 84 cm
The unicorns were captured near a small house in the forest and lived happily ever after 2023 Photographic print, thread and rubber 59.5 x 84 cm SOLD
Eugenics for dummies 2023 Photographic print, thread and rubber 59.5 x 84 cm
And on a farm the strangers lived happily ever after 2023 Photographic print, thread and rubber 84 x 59.5 cm SOLD
Doodgelukkig 2023 Photographic print on board, thread and rubber 118.5 x 84 cm SOLD

“Photographs curdle like milk, says Roland Barthes.  If, for Sally Mann, photographs are treacherous, it is because they are ‘the malignant twin to imperfect memory’.  They cannot tell the truth, despite all claims to the contrary.”  – Ashraf Jamal (excerpt from the essay ‘Eucatastrophe, Hannalie Taute 2021)

I work primarily with the captured image.  Altered, reimagined and reinterpreted. Using mainly vintage photographs sourced from flea markets and even from my own family archives, which are used as is, or blown up to a larger scale.  Altered with tire inner tube inlays and hand embroidered detailing drawn with thread. My work is populated by people, masks and sometimes floral arrangements.

“Appearances are a construction, a merging from the debris of all that has previously appeared” John Berger

These discarded remnants of the past are reworked, and their treatment of these remnants are at times ghoulish and macabre, imbuing the work with notions of identity in terms of culture, heritage and society. A re-stitching of historical narrative of sorts.  The surrealism of conflicting customs and traditions sutured, like stitching up a wound or incision, reminiscent of an autopsy.

These portraits by losing their identities, have the chance to become something different. They tell a story of distant colonies and traditions taken across continents to an unknown land. They depict a society based on precise rules alongside an extreme nature, in a country where politics and society are difficult and often painful topics.

The black rubber, by framing the images gives an utter dystopic connotation to these contemporary treasures of a past far gone.

Text used as titles, are like the photographs-  found and reconfigured and appropriated as a narrative. I am interested how simply changing the text underneath an image can radically altered the image’s message.

What is shown and what is hidden becomes interdependent elements of visual storytelling, thus “a new fantasy emerges in a world clinging to the need to believe in the magic of innocent aspiration.”

Installation view courtesy of the gallery
Installation view 2 courtesy of the gallery
Installation view 3 courtesy of the gallery
Installation view 4 courtesy of the gallery
Installation view 5 courtesy of the gallery

For more info or inquires visit the gallery website here: https://mcontemp.com/exhibition/hannalie-taute-solo-show-2023/

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