Available work

Art portfolio- my work, Studio news

Dear friends and patrons of the Arts…

Lately I have received a lot of interest in my work (through various channels and social media); which I am of course very pleased about. Thank you!

Currently I do not sell directly via my studio, since I am hard at work for upcoming exhibitions….

So, I decided to write a short update with images of available work through various galleries and their contact details… (in no specific order):

Herewith some, not all examples, of available work and gallery details: please contact them for a full list and more info…

*MContemporary gallery in Sydney, Australia- contact louise@mcontemp.com

( works include Meet me in the labyrinth, Hang in there, Right of admission reserved and Mediatrix)

Titles:”Meet me in the Labyrinth” and “Hang in there”

Titles: “Right of admission reserved” and “Mediatrix”

next…

* Millenium gallery in Pretoria contact Ronel van der Vyfer: ronelvdv@gmail.com (Fuck perishableness and Ugly thing rearing its head)

Fuck perishableness/ Fok vergangklikheid

An ugly thing rearing his head/Lelike ding wat sy kop uitsteek

Next…

*99 Loop gallery in Cape Town: contact gallery@99loop.co.za for works eg:

(Until death do us part and It’s not over until the fat lady sings)

Until death do us part 2018

It’s not over until the fat lady sings 2018

next:

*Everard Read gallery in Franschoek: contact karla@everard.co.za for works like “(k)not of snakes” and “In warm water”

(k)not of snakes 215 x 108 cm cotton thread and rubber 2018

“In warm water” 2017 Cotton thread, doillies, and rubber 63 x 128 cm

and last but not least:

*Rossouw Modern gallery in Hermanus, contact info@rossoumodern.com for a list of available works ranging from sculptures to portraits etc:

Fountain of youth, 63 x 48 cm Cotton thread, batting, rubber and wood- framed (photographer Kleinjan Groenewald)

Hungry Eyes 45 x 23 x 45 cm fabric, found objects, cotton thread and rubber 2017 (Photographer JP Hanekom)

Please feel free to leave a comment if you have any questions or head over to my contact page should you wish to send me a private message…

Best wishes

xxx

 

 

 

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Anthomania/Anthophobia

Art portfolio- my work, Studio news/blog

I stumbled upon a new word recently which I would like to share with you this month:

anthomania :

Excessive or passionate enthusiasm for flowers.

“Meet me in the Labyrinth” detail

If i think back, it probably started in 2017 already when I prepared a body of work for a show called “Incognito” :

“Forget-me-not” (Myositis arvensis) 64 x 51 cm Cotton thread and rubber 2017

For the Incognito, solo exhibition at MContemporary I was inspired by flowers with interesting common names.  By combining flowers with self-portraits and animal skulls I felt that they became like masks, concealing the true identity.

So two years later..and now I am even more obsessed with flowers. Real and imaginary. and I am happy to say that I have some new work on its way to Australia again:

“Right of admission reserved” Cotton thread and rubber 85 x 60 cm (2019)

Maybe my so-called ‘anthomania’ started way before 2017…when I was 7years old. My mother was a florist back then…only for a short while.

I remember vaguely how she went for a course in the art of flower-arrangement. Unfortunately I was too little to really appreciate it.

After her death in 1996, I only liked dead things, and decaying flowers. One could say i was “Anthophobic”. When I was studying art, I thought that flowers were too pretty, and decided then to never use them in my art. I didn’t like pretty things.

Well, never say never…

So these days I embroider fantasy blooms on smaller pieces of rubber, arrange them in a collage-like manner and I’ll admit it gives me much joy doing this.

I am expanding my interest to “floriography” (The language of flowers)

  Gifts of blooms, plants, and specific floral arrangements were used to send a coded message to the recipient, allowing the sender to express feelings which could not be spoken aloud in Victorian society. Armed with floral dictionaries, Victorians often exchanged small “talking bouquets”, called nosegays or tussie-mussies, which could be worn or carried as a fashion accessory. -wikipedia

this interest is probably due to my ‘anthomania’ and fascination with codes as well as these manuscripts (which is still would like to ‘read’):

Voynich Manuscript

Codex Seraphinianus

But for now I’m just happily stitching away at rubber-flowers. Let’s see where this takes me.

Hang in there (detail)

 

 

 

 

 

The Blushful Hippocrene – group exhibition – you are invited!

Art portfolio- my work

Invitation

wyn maak die bors oop 58 x 44 cm cotton thread, rubber and wood

slangbyt 66 x 46 cm cotton thread, rubber and wood

einde van dronkenskap 56 x 46 cm cotton thread, rubber and wood

A knot of snakes

Art portfolio- my work

(k)not of snakes 215 x 108 cm cotton thread and rubber 2018

detail 1

detail 2

detail 3

detail 4

Currently showing at 99 Loop gallery as part of my solo exhibition “Minutes to Midnight”. Until 27 October 2018

Installation view

Dear Mother City…(Minutes to Midnight)

Studio news/blog

Dear Mother City, (aka Cape Town)

I visited you earlier in October, and I must say it was an experience I wouldn’t forget.

The energy in mid-city is quite contagious and at the same time exhausting, and the traffic intense. As a small-town girl, I think I could not handle it for more than a week, but I suppose one can get used to it.

She always wanted to be a bad girl 92 x 64 cm cotton thread and rubber 2018

Your inhabitants were very supportive, kind, generous and made me feel welcome.

I even spotted this guy in one of your museums and he laughed his ass of at me for feeling so overwhelmed:

Taxidermy Hyena at the Iziko Museum – Cape Town

And I almost lost my head to a hippo…

Luckily my friend made me a concoction of some Bach-flower remedies for the nerves.

Bach remedies

and I channeled some horse-power with a Mary Sibande sculpture:

Moi with a Mary Sibande sculpture at the Iziko Art Museum

I did not see and experience half as much as I wanted to, but I did have a blast at the opening night of my solo exhibition Minutes to Midnight at 99 Loop gallery!

A big thank you to everyone who came to the opening night, and those who couldn’t make it to the opening, the exhibition runs until the 27th of October, so please feel free to pop in.

Her dark side 141 x 95 cm cotton thread, batting and rubber 2018 (private collection)

P.S ever wondered why Cape Town is known as the Mother City? Well, if you follow this link there’s 6 reasons why.