A friend and fellow artist (who also teaches art at school level) asked me to be interviewed for her new channel/series about South African Artists, which she started recently, to encourage her learners to connect with other artists who are not yet written about in the syllabus. I am looking forward to see how this series develops, and I am honoured to be part of this journey!
“When these children learn about your process, inspiration, and the intentions of your art, they learn to make better art and they deepen their appreciation for what you do. This effort serves to develop our heritage and it certainly creates legacy. You were inspired by artists to do what you do now and those artists that inspired you became cultural icons because they became cannon through being part of the educational curriculum. This process now continues with you.“
How cool is that.
Anyway without further adieu:
if you have any advice for future interviews, feel free to let me know what you think….
Hoping that you will be able to the “opening at 11h30 on Sunday 7th, masks n all. Sadly no wine can be served, but a fruit punch with a kick may be the order of the day” Alternatively you can view all the works by all the artists included in this show on the gallery website: https://rkcontemporary.com/exhibitions/anthropomorphic/
The 12th Monkey:
1) Hear no evil
2) See no evil
3) Speak no evil
4) Touch no evil
5) Be no evil
6) Cry no evil
7) Feel no evil
8) Scratch no evil
9) Create no evil
10) Catch no evil
11) Smell no evil
12) Fear no evil
Also: A key message of 12 Monkeys (The movie) is that the past is fixed and can’t actually be changed. We can only prevent for the future.
AND the study of ‘great apes’ in their own environment and in captivity has changed attitudes to anthropomorphism.
For more info please contact Astrid at email@example.com
I don’t know about you, but the more the real world freaks me out, the more I escape to a fantasy one, equipped with fantasy characters of my own making. So at the end of 2020 I started working on a series of altered photos once again. I say once again because I’ve been altering vintage photos since 2014 – for example:
So while I was waiting for the big reprints of vintage photos which I am currently working with (looking forward to share that journey with you soon). I also did smaller ones, some inspired by my mother-in-law whom we visited in December. I took a walk down in memory lane with her one evening going through a drawer full of photos. Some of the photographs were slightly damaged which she gifted to me, for example the one below.
I am happy to announce that this series found a home in Phoenix Arizona and will hopefully reach their destination soon with the help of Jetlog Logistics.
In other news: our eldest son is turning 13 on the 23rd of January. I asked him how does it feel to be a teenager. He said it feels okay except for some “symptoms” he is currently experiencing 😉
What a joy to be the mother of this child o’ mine.
Where do we go? Where do we go now? Where do we go? Ooh, oh, where do we go? Where do we go now? Oh, where do we go now? Where do we go? (Sweet child) Where do we go now? Ay, ay, ay, ay, ay, ay, ay, ay Where do we go now? Ah, ah
Last but not least….The group exhibition: “No holds barred” at RK Contemporary gallery is coming to an end on the 31st of January. Feel free to check it out if you get a chance.
On that note….
Please keep safe – mentally and physically until next month. ❤
Hi dear friends. I’m a bit late with my monthly studio news update, because I’ve been on a emotional roller-coaster these past few weeks. I had to try and stay calm because the boys was writing exams, but I just felt uninspired, tired, drained, sad and anxious. Our garden at the moment is a true reflection of where I’m at emotionally….
dare I even show you these! Yikes! BUT after I spent Monday afternoon in the garden, with my fingers in the soil and getting rid of some snails, I feel much much better. Gardening as therapy 😉
I also cleaned up the studio and found some old ink drawings I did in 2004 for a solo exhibition at the Joao Ferreira gallery in Cape Town. I allowed myself to feel destructive and playful and so I reworked those drawings:
I still feel kind of tired, but actually I am grateful, because there was lovely highlights this year too!!!
A dear collector send us a Spur voucher from abroad, and so we had a chance to finally get a taste of the Beyond Burger. (which according to the Youtube channel my boys watched, taste and look like a real burger, but it is completely plant based.) Just a pity its double the price of a normal burger.
I received some lovely magazine exposure abroad and locally.
I had the opportunity to work on some amazing commissions and exhibitions this year too. A big thanks to each and everyone who commented, liked, shared, discussed and bought my work this year. It doesnt go unnoticed and I appreciate it. This was actually my best year in the studio sofar!
But then why….
All I can think is that it is due to a hormonal imbalance:
But I will leave you with this quote from an amazing book I received as a gift and just finished reading”
“If you are pitched into misery, remember that your days on this earth are counted and you might as well make the best of those you have left.”
“Apart / A part is not intended to explore the banality nor the cliche’ of lockdown art. The intention of this group exhibition is to delve into the human psyche, to explore the longing, the reflection, and the horror of living social distant lives: as artists we almost universally create in isolation. Solitude provides rich and fertile soil for creation, we are no strangers to it. However, what has become apparent over the past few months is an interesting manifestation of the longing of the human psyche for connection. Within the pandemic zeitgeist, three universal themes have emerged as indicators of where the human soul searches for connection. These themes: The Mundane, The Sublime and The Abject, are reflected in the work created by selected invited artists. Within these spheres, we see the reflection of the human condition as it manifests when connections are stretched, severed or temporarily suspended. As the artists submitted work for this exhibition and interesting phenomenon emerged: the themes overlapped, they intermingled, it became a beautiful organic process, completely unplanned. I have come to realize that all of life is essentially a dance on the precipice between the mundane, sublime and abject.”
I was invited by Laurette to submit work for the “Abject” Part of this exhibition…And this was what I proposed:
The Abject But that word, “fear”- a fluid haze an elusive clamminess- no sooner has it cropped up than it shades off like a mirage and permeates all words of the language with nonexistence, with a hallucinatory, ghostly glimmer. (Kristeva 1982:6) The Abject resides where the sublime meets horror, evoking a deep-seated fear, a dread of the incomprehensible, and the uncanny. The viewer cannot help but be enthralled by the abject, it is a part of human nature: Kristeva’s (1982) concept of becoming corpse as ultimate abjection, corresponds to Burke’s (1844) philosophical enquiry into the sublime in that the sublime essentially evokes overwhelming feelings of dread and melancholy in its terrifying infinity (De Jager 2019:85). The pandemic conjured up images of death, and destruction. From the works of Hieronymus Bosch, Peter Bruegel the Elder and more recently David Wojnarowicz, these artists grappled with making sense not only of our finitude, but of death on a grand scale. Artist’s working during the pandemic turned to the abject as a means of trying to make sense of the horror of global loss. The selection will refrain from literal masked ( be they gas or surgical masks) depictions, instead artists who invoke the uncanny, the strange as symbol for these strange times, will be invited to exhibit works which speaks to horror on a conceptual and symbolic level. David Wojnarowicz, Untitled (Falling Buffalos), 1988-1989
For more information or to RSVP to the opening, kindly contact the gallery directly.