Apart / A Part – You are invited!

Art portfolio- my work, Invitations, Studio news/blog

Note from the curator Laurette de Jager:

“Apart / A part is not intended to explore the banality nor the cliche’ of lockdown art. The intention of this group exhibition is to delve into the human psyche, to explore the longing, the reflection, and the horror of living social distant lives: as artists we almost universally create in isolation. Solitude provides rich and fertile soil for creation, we are no strangers to it. However, what has become apparent over the past few months is an interesting manifestation of the longing of the human psyche for connection. Within the pandemic zeitgeist, three universal themes have emerged as indicators of where the human soul searches for connection. These themes: The Mundane, The Sublime and The Abject, are reflected in the work created by selected invited artists. Within these spheres, we see the reflection of the human condition as it manifests when connections are stretched, severed or temporarily suspended. As the artists submitted work for this exhibition and interesting phenomenon emerged: the themes overlapped, they intermingled, it became a beautiful organic process, completely unplanned. I have come to realize that all of life is essentially a dance on the precipice between the mundane, sublime and abject.”

I was invited by Laurette to submit work for the “Abject” Part of this exhibition…And this was what I proposed:

The brief:

The Abject
But that word, “fear”- a fluid haze an elusive clamminess- no sooner has it cropped up
than it shades off like a mirage and permeates all words of the language with
nonexistence, with a hallucinatory, ghostly glimmer. (Kristeva 1982:6)
The Abject resides where the sublime meets horror, evoking a deep-seated
fear, a dread of the incomprehensible, and the uncanny. The viewer cannot
help but be enthralled by the abject, it is a part of human nature: Kristeva’s
(1982) concept of becoming corpse as ultimate abjection, corresponds to Burke’s
(1844) philosophical enquiry into the sublime in that the sublime essentially evokes
overwhelming feelings of dread and melancholy in its terrifying infinity (De Jager
2019:85).
The pandemic conjured up images of death, and destruction. From the works
of Hieronymus Bosch, Peter Bruegel the Elder and more recently David
Wojnarowicz, these artists grappled with making sense not only of our finitude,
but of death on a grand scale. Artist’s working during the pandemic turned to
the abject as a means of trying to make sense of the horror of global loss. The
selection will refrain from literal masked ( be they gas or surgical masks)
depictions, instead artists who invoke the uncanny, the strange as symbol for
these strange times, will be invited to exhibit works which speaks to horror on
a conceptual and symbolic level.
David Wojnarowicz, Untitled (Falling Buffalos), 1988-1989

“A violent bunch” Cotton and acrylic thread and rubber 2020
Kaboom! Cotton thread, polyester fiber filling and rubber 2020
BOO-HOO Cotton and acrylic thread and rubber 2020

For more information or to RSVP to the opening, kindly contact the gallery directly.

The haunted stitch

Art portfolio- my work, Studio news/blog

I am excited to announce my 3rd online studio exhibition.

3rd time lucky 77 x 22 x 8 cm Cotton thread, batting and rubber 2020
With arms wide open 38 x 24 x 9 cm Cotton thread, batting and rubber 2020

Something old, something new. Yes, some of the works you might recognize form previous exhibitions, and some works were destined for Australia, but alas, shipment was an issue…. but they still wanted to be shown. So I am happy to present these 13 (yes, it’s my lucky nr) works as part of

The Haunted Stitch

A dangerous bunch 74 x 74 cm Cotton thread and rubber 2019/2020

I actually wanted to launch this online exhibition yesterday, – between All Hallows eve and today : Day of the Dead (Spanish: Día de Muertos) which is a Mexican holiday celebrated throughout Mexico, and while I’m not of Mexican decent, I do love how Mexicans view it not as a day of sadness but as a day of celebration.

I was not able to launch it yesterday since I was not close to my desktop. Grandma is currently visiting so we took her for a day out. Today we will celebrate the life of our dear Grandfather (her late husband) who passed away earlier this year.

But without further adieu:

Blah blah blah 67 x 55 cm Cotton thread and rubber 2020

Dear fellow bloggers, art patrons and friends, here is the link containing the full list with images and details of the 13 pieces which forms part of ‘The Haunted stitch”. https://drive.google.com/drive/folders/1e6dYIFMTj3zihZTOftnsW2NTdA4e0Fj6

Should you have any queries please do not hesitate to contact me.

Childhood ghosts 68 x 19 x 8 cm Cotton thread, batting and rubber, 2020

I wish you a lovely Día de Muertos.

From a Monumental moment to Size Matters…

Art portfolio- my work, portfolio, Studio news, Studio news/blog

A visual journey……

Monumental Moment 2015
A Monumental moment for Stink Afrikaners show 2016
A monumental moment 2018 Photographer Kleinjan Groenewald as exhibited at the Pretoria Art Museum
from a Monumental moment to Size matters (work in progress()
Studio view 2020
Size Matters 2020 photographed by Kleinjan Groenewald
Hannalie Taute with Size Matters photographed by Kleinjan Groenewald
Hannalie Taute photographed by Kleinjan Groenewald. Thanks for being witness….

Join the party!

Art portfolio- my work

This is a #fairwarning to join the party!

#fairwarning!

you don’t have to suffer from FOMO

FOMO 70 x 18 x 10 cm Cotton thread, polyester fiber filling and rubber 2020 Hannalie Taute

so put a smile onto your face…

Put a smile on your face

because there is a change of plans

Change of plans

We would like to welcome you with arms wide open for the annual Turbine Art Fair

With arms wide open

…because shit is getting real – virtually!

shit’s getting real

It is going to be HOT!

HOT

AAAH-HAAA!

HAAA-AAAH! (SOLD)

There will even be a “Neighbourhood watch”:

And this little guy promises you a whale of a time:

a whale of a time

even if there is a wild goose chase

Sweet-tooth would like you to Eatmore and Seemore!

Sowaar as Padda-manel! So stop Horsing around because you can’t touch this!

You have to earn your stripes!

earn your stripes SOLD

…even among a (K)not of snakes!

(k)not of snakes 215 x 108 cm cotton thread and rubber 2018

for more info please visit Millennium gallery, or contact Ronel at https://www.millenniumgallery.co.za/about

Join the party Installation view

Women who read are dangerous

Art portfolio- my work, Studio news/blog
TITLE Woman who reads with wolves MEDIUM Thread, polyester fiber filling and rubber 2020 SIZE 45 x 23 x 9 cm

“To love a woman, the mate must also love her wildish nature.” Quote from the book: Women who run with wolves by Clarissa Pinkola Estes

Hannalie Taute TITLE Smell of naughtiness 2020 SIZE 125 X 90 cm MEDIUM Cotton thread and rubber SOLD

“Women who Read are Dangerous’ pays homage to the power of female literacy and education. There was a time, when female literacy was a controversial idea, and it took many centuries before women were entirely free to choose what they read, whether for instruction or pleasure. The group exhibition opens to the public on Tuesday 18 August 2020. (from the press release by Rust-en-Vrede gallery.

“Women who read are dangerous group exhibition is curated by Hamlin Jansen van Vuuren and will run from the 18th of August to 23 September 2020

Participating Artists:

Margaret Nel, Heather Gourlay-Conyngham, Vanessa Berlein, Kim Woodman, Marlise Keith, Anina Deetlefs, Judy Woodborne, Hanneke Benade, Lesley Ireland-Mathew, Cornelia Stoop, Diana Hyslop, Hannalie Taute, Ella Cronjé, , Adele Potgieter and Christiaan Diedericks.

To view the full catalogue click here: http://www.rust-en-vrede.com/wp-content/uploads/2020/08/Women-Who-Read_Catalogue-2020.pdf