Minutes to Midnight and World Embroidery Day

Art portfolio- my work, Studio news/blog

Minutes to midnight 215 x 106 cm cotton thread, doillies and rubber 2018

Minutes to Midnight is the title of the work above as well as the title for my upcoming solo exhibition at 99 Loop Gallery in Cape Town.

minutes to midnight detail

For a long time my thoughts centered around the words “Minutes to midnight” as a title for a possible solo show, and after many attempts, planning, and  discussions the works of the past few years (some new, some reworked) all fit together and finally I am looking forward to present the body of work soon (October 2018).

“Minutes to Midnight” is basically a continuation of my investigation of fear, which in turn lead me to the notion of time and eventually to the meaning behind the words: “Minutes to midnight” which actually refers to the symbolic clock used by the Bulletin of the Atomic Scientists. This symbolic clock represents the countdown to a potential global catastrophe, and refers to this catastrophe as “Midnight”. It is currently standing on 2 minutes to Midnight.

Midnight in turn also reminded me about all the fairytales in which when the clock strikes 12 the magic disappears.

Minutes to midnight detail

But before you think it is all gloom and doom in this post, I have something uplifting to share with you as well:

I found out this morning, that it is World Embroidery Day today!  I saw it on a fellow embroiderer’s Instagram account*, and decided to google it to find out more.

The origins of the World Embroidery Day date back to 30 June 2011 and was an initiative of the Swedish Embroidery Guild, to celebrate embroidery (what a wonderful idea). I even found their Embroidery Manifesto which I would like to share with you:

embroidery_manifesto_-english (1)

Or you can visit this website to Download in 5 other languages:

http://www.broderiakademin.nu/worldembroideryday/

minutes to midnight detail

So I would like to celebrate and wish you a wonderful “World Embroidery Day”. Until we speak again – happy stitching!

Footnotes and links:

*The fellow embroiderer I mentioned is: Nicole O’ Loughlin and there is a lovely interview with her on the Fiber Studio’s blog. click here

*Early this year the “Doomsday Clock” reach 2 Minutes to Midnight…the closest ever…you can read more about it here

or visit the Bulletin of Atomic Scientists website… here

*You may download the Embroidery Manifesto here

*For more details about my upcoming solo you can watch this space or contact the gallery 99 Loop, see here

*The photographer of my artwork is Kleinjan Groenewald, you can visit his website here

 

 

 

 

 

 

 

10 reasons …

Studio news/blog

Why I decided to embroider on rubber….

because my life was hanging on a thread

because it makes ‘sew’ much sense

because I wanted to tread lightly and use what was available

because I needed a challenge

because the act of sewing is meditative

because i fell in love with the process

because rubber is tough and can be seen as masculine

because thread is delicate and an be seen as feminine

because i like the juxtaposition of thread and rubber

because nothing is what it seems.

back to normal, whatever that is…

Studio news

Good morning everyone

….it is actually ‘back to school’ day today, so that means, I have my studio to myself again, which makes it feel like ‘back to normal’.

 

Not that I mind having my kids around me, but lets face it….now i can hear my own thoughts…. 

and luckily for me I don’t need the studio to keep on stitching, so even if I did stitch almost everyday, I did make time for reading

and playing,

eating – ice cream and cotton candy

laughing and coping with little sleep etc.

Hope you had a lovely holiday as well.

Back to the studio:

I am currently preparing for 2 group shows during February and March (more on this later). For the one I made small ‘new’ altered pages

, and for the other I am reworking some ‘older’ pieces-

why? because a work of art is never finished is it? And I feel that there is always room for improvement….

But now I have a question for you….so if the original work was exhibited in 2015, and now I’ve reworked it…do I date it 2015/2018 or do I take the previous date out and just date it as 2018? Please let me hear your thoughts on this.

I’m looking forward to share my thoughts, process and dreams with you this year…talking about dreams:

Oh my life is changing everyday
In every possible way
And oh my dreams
It’s never quite as it seems
Never quite as it seems

-Lyrics from the song: Dreams by The Cranberries

R.I.P Dolores (lead singer from the Cranberries)