‘Mother.Monster.Stitch on Afrimaxx

press, Studio news/blog

I am thrilled to let you know that the episode “What our heritage teaches us” on Afrimaxx including the feature where I talk about my exhibition ‘Mother.Monster.Stitch’ is airing this week. You can watch it on The Home Channel, DStv channel 176 and The Home Channel+ on Openview channel 113. 

Airing dates: 23 March – 29 March

Airing times (CAT): Monday – 19:00 (Prime Time)

Repeats:

  • Tues – 07:00 & 15:30
  • Wed – 11:00
  • Thurs – 15:00 & 19:30 (Prime Time)
  • Fri – 03:00 & 22:00
  • Sun: 00:00, 12:30 & 21:00

Features:

  • Ghana: Negros Tou Moria
  • Kenya: Thriving Empire
  • South Africa: Hannalie Taute
  • DRC: Patrick Mhindo
  • Location Feature: Chaminuka Lodge, Zambia

Alternatively, you can watch the full episode on DW’s AFRIMAXX website from this Friday, 27 March (see the link below):

https://www.dw.com/en/what-our-heritage-teaches-us/video-76566552

2026 – Voorspoed!

Art portfolio- my work, Studio news/blog

Mense dink aan ballonne as lig en opgewek.  Maar hulle is eintlik klein houers van drukking.  Net soos ons. Ek het hulle begin naai omdat ek van hulle broosheid gehou het.  Een verkeerde steek en hulle sal bars.

Elkeen het ń emosie geword waarvoor ek nog nie woorde voor gehad het nie: Vrees, irritasie, verveeldheid, hoop, daardie gevoel om opgeblaas te voel. Hulle is snaaks, maar nie skadeloos nie.  

Miskien is dit hoekom ek van ballonne hou.  Hulle gee nie voor om sterk te wees nie.  Hulle hou alles net bymekaar solank as wat hulle kan.

This wife looks happy because she is on her second glass of wine 2025 archival print on board, thread, and rubber (framed)

Haar gesig het in ń skedel verander – maar nie ń vreesaanjaende een nie.  Ek het dit in helder, lekkerny kleure genaai, erens tussen ń suiker skedel en ń partytjie versiering.

Hierdie vrou lyk gelukkig want sy het al ń tweede glasie wyn in.  Ek het die title gebou uit stukkies woorde, soos iets wat jy sou sien in ń leefstyl artikel of hoor by ń braai. 

Dit is snaaks maar ook n bietjie hartseer.  Daardie stil gewoontes waarmee vroue oorlewing en kalmte probeer beheer. Daardaardie tweede glas –  net genoeg om die ‘happy wife’ gelukkig te hou… vir nog ń dag.

Uithou en aanhou! Beste wense vir ń voorspoedige 2026!

Fotos van my werke danksy die gallery Berman Contemporary.

Sometimes the wife needs a break 2025 Archival print on board, thread and rubber

‘Sometimes the wife needs a break’ (Mother.Monster.Stitch)

Art portfolio- my work, portfolio
"Sometimes the wife needs a break"
“Sometimes the wife needs a break” 2025

Ek dink aan hierdie een as haar middagslapie – of miskien haar ontvlugting. Die ou foto het reeds so stil en rustig gevoel; maar ek wou haar nie wakker maak nie. Ek het die masker in stadige groen genaai , soos asem.

Almal se vrouens het ‘n breek nodig, maar wat hulle eintlik bedoel is:  haal asem en gaan net aan. Ek wou eintlik hê sy moes stop.  Net vir ‘n oomblik, sy hoef nie meer enige iets voor te gee nie.

See you in 2026! 😉🙌😅😴👯‍♀️✨

Mother.Monster.Stitch now showing at Berman Contemporary in Cape Town South Africa until 22 February 2026. For more info contact gallery @bermancontemporary.co.za

A Monumental Moment 2015. Cotton tread and rubber. 171 x 127.5 cm

A Monumental Moment (2015)

portfolio, Studio news
A Monumental Moment. Cotton tread and rubber. 171 x 127.5 cm
A Monumental Moment. Cotton tread and rubber. 171 x 127.5 cm 2015

This work is inspired by the sculpture of Anton van Wouw which also featured on the cover of the magazine called “Die Boerevrou”(March 1919).

I looked at his sculpture while pondering my thoughts on being an “Afrikaner-meisie”.

I personally don’t like how the female “Boerevrou” figure is standing because she looks so demure and I always thought of Afrikaner women as strong; especially since they had to travel great distances in harsh and difficult circumstances (Die Groot Trek).

So I did a bit of research and found that women back in the day were not happy with his work since they believed that the “Voortrekker kappie’ depicted was not like the ones Afrikaner women wore in South Africa ….and much later when feminism reached South Africa women were upset because in the poem by JF Cilliers that featured underneath this work by van Wouw which ended with the words: “Ik sien haar win, want haar naam is – Vrouw en moeder”…and the feminist said that not all women are mothers.

That was when I decided to embroider myself in the nude sitting on the steps of this ‘monument’ with my back turned away from the ‘Boerevrou’…trying to redefine myself.

I am happy to announce that this work will be at this years FNB Joburg Art Fair (from 11- 13 September 2015); at the Everard Read gallery JHB booth.

This will be the first time my work will be exhibited at this art fair. A monumental moment indeed