My work featured in The Sunday Times yesterday.
A big thank you to everyone involved, and to Knysna Fine Art gallery for letting me know.
Hope you all have a fantastic week ahead!
I’m excited that my work will be included in the “Awesome Womxn” group- exhibition curated by Dr. Adele Adendorff, hosted by the Association of Arts in Pretoria in celebration of Women’s month 2019.
from the curator:
Chimamanda Ngozi Adichie (2014) explains in her book, We should all be feminists, that “single stories” curtail and inform our thinking, “especially about Africa.” Adichie urges us to “unlearn” the lessons of our youth and, instead, foster a new narrative where we may all strive to be as we are.
This year’s exhibition is viewed as such an open platform whereby gender, in particular, womxn, are celebrated, questioned, showcased and narrated to offer new, multiple stories of who we are. The appellation, womxn, is an open-ended and inclusive term that offers alternative narratives for all who identify with the intersectional politics of womxn. The exhibition will be accompanied by a digital catalogue.
meanwhile … The word “Womxn” made me think of:
The X-men (superheroes) … which made me think of
Manga (Japanese comics)…but actually a “mangled Manga”, since I added animal heads onto the ‘Manga’ inspired bodies of these figures. I also find it noteworthy that the word Manga, contains “man’ (tongue in the cheek, cheekiness)
I decided to work on a series of:
Toys/Dolls…because I thought of …
Simone de Beauvoir:
“…one is not born but rather becomes a woman”. In childhood there is no difference between the sexes in terms of what they are capable. Differentiation begins when boys are told of their superiority and how they need to prepare for the difficult, heroic path ahead. While pride in his sex is pointed out to him by adults, the girl’s sexual anatomy does not receive the same reverence. Urinating also produces a sexual difference: for the boy it is a game, but for the girl a shameful and inconvenient procedure. Even if a girl has no ‘penis envy’ the presence of an organ that can be seen and grasped helps him to identify himself and it becomes a kind of alter ego. For the girl it is the doll which becomes the alter ego. There is really no “maternal instinct”, de Beauvoir argues, but through play with the doll she ascertains that the care of the children falls on the mother, and “thus her vocation is powerfully impressed upon her.”
“I deny that they establish for her a fixed and inevitable destiny”. Biology is not reason enough for male/female inequality, or grounds for woman being cast as ‘Other’, and her physicality does not condemn her to remain subordinate. Moreover, while animals can be studied as static organisms, it is much harder to make assessments of people as male or female human beings, since our sex does not define us in the way that it does other animals.
I also looked at Comparitive psychology: Comparative psychology is the study of animals in order to find out about humans. The underlying assumption is that to some degree the laws of behavior are the same for all species and that therefore knowledge gained by studying rats, dogs, cats and other animals can be generalised to humans.
So I used toys from my own collection as a starting point:
I always thought that Bambi was female, but while paging through a book I noticed it’s a he! Also noteworthy is that my youngest son says there is a Bambi book at school, but “its for girls”
So please meet…
NO ACTION HERO
In Old English sources, the word man was neuter. One of its meanings was similar to the modern English usage of “one” as a gender-neutral indefinite pronoun (compare with mankind (man + kind), which means the human race).
Inanna is an ancient Mesopotamian goddess associated with love, beauty, sex, desire, fertility, war, justice, and political power. She was later worshipped under the name Ishtar. The word Ishtar made me think of Easter hence the bunny(fertility), but Inanna’s most prominent symbol is actually the lion. Inanna was believed to have stolen the mes, which represented all positive and negative aspects of civilization,
Inanna has become an important figure in modern feminist theory . Simone de Beauvoir, in her book The Second Sex (1949), argues that Inanna, along with other powerful female deities from antiquity, have been marginalized by modern culture in favor of male deities
Inanna is also an important figure in modern BDSM culture. Author and historian Anne O. Nomis has cited the portrayal of Inanna in the myth of Inanna and Ebih as an early example of the dominatrix archetype, characterizing her as a powerful female who forces gods and men into submission to her. (source consulted: Wikipedia)
SKUNK a la NANCY:
and Last but not least:
The Awesome Womxn group-exhibition opens on the 2nd of August 2019.
Dear Friends, patrons and fellow bloggers,
I returned home last night after an amazing experience during the annual Turbine Art Fair in Johannesburg, and hope to share a full update with you soon, but in the mean time I’m still recovering after seeing this article in yesterday’s Sunday Times newspaper:
Thank you to the following people for making the dream reality:
Last but not least, special thanks to everyone who came and said hi during the fair.
Dear friends and patrons of the Arts…
Lately I have received a lot of interest in my work (through various channels and social media); which I am of course very pleased about. Thank you!
Currently I do not sell directly via my studio, since I am hard at work for upcoming exhibitions….
So, I decided to write a short update with images of available work through various galleries and their contact details… (in no specific order):
Herewith some, not all examples, of available work and gallery details: please contact them for a full list and more info…
*MContemporary gallery in Sydney, Australia- contact firstname.lastname@example.org
( works include Meet me in the labyrinth, Hang in there, Right of admission reserved and Mediatrix)
* Millenium gallery in Pretoria contact Ronel van der Vyfer: email@example.com (Fuck perishableness and Ugly thing rearing its head)
*99 Loop gallery in Cape Town: contact firstname.lastname@example.org for works eg:
(Until death do us part and It’s not over until the fat lady sings)
*Everard Read gallery in Franschoek: contact email@example.com for works like “(k)not of snakes” and “In warm water”
and last but not least:
*Rossouw Modern gallery in Hermanus, contact firstname.lastname@example.org for a list of available works ranging from sculptures to portraits etc:
Please feel free to leave a comment if you have any questions or head over to my contact page should you wish to send me a private message…
Yikes, already 11 days into the new year, but for me the ‘new year’ officially starts when the children goes back to school. It allows for some quiet contemplative time in the studio.
Usually I try not to make new years resolutions, but with that said, this year I aim to spend more time in the garden,
and focus on cultivating a good posture while working. Also to practice more yoga and to breathe deep.
I wish you all a prosperous 2019!