No holds barred – You are invited!

Invitations, Studio news/blog
Invitation – please pop in if you are in the area!

Above is my selected work for the exhibition, but please visit the link below to view all the other works and details for this show.

https://rkcontemporary.com/exhibitions/no-holds-barred/

Wishing you a lovely week ahead. xxx

Apart / A Part – You are invited!

Art portfolio- my work, Invitations, Studio news/blog

Note from the curator Laurette de Jager:

“Apart / A part is not intended to explore the banality nor the cliche’ of lockdown art. The intention of this group exhibition is to delve into the human psyche, to explore the longing, the reflection, and the horror of living social distant lives: as artists we almost universally create in isolation. Solitude provides rich and fertile soil for creation, we are no strangers to it. However, what has become apparent over the past few months is an interesting manifestation of the longing of the human psyche for connection. Within the pandemic zeitgeist, three universal themes have emerged as indicators of where the human soul searches for connection. These themes: The Mundane, The Sublime and The Abject, are reflected in the work created by selected invited artists. Within these spheres, we see the reflection of the human condition as it manifests when connections are stretched, severed or temporarily suspended. As the artists submitted work for this exhibition and interesting phenomenon emerged: the themes overlapped, they intermingled, it became a beautiful organic process, completely unplanned. I have come to realize that all of life is essentially a dance on the precipice between the mundane, sublime and abject.”

I was invited by Laurette to submit work for the “Abject” Part of this exhibition…And this was what I proposed:

The brief:

The Abject
But that word, “fear”- a fluid haze an elusive clamminess- no sooner has it cropped up
than it shades off like a mirage and permeates all words of the language with
nonexistence, with a hallucinatory, ghostly glimmer. (Kristeva 1982:6)
The Abject resides where the sublime meets horror, evoking a deep-seated
fear, a dread of the incomprehensible, and the uncanny. The viewer cannot
help but be enthralled by the abject, it is a part of human nature: Kristeva’s
(1982) concept of becoming corpse as ultimate abjection, corresponds to Burke’s
(1844) philosophical enquiry into the sublime in that the sublime essentially evokes
overwhelming feelings of dread and melancholy in its terrifying infinity (De Jager
2019:85).
The pandemic conjured up images of death, and destruction. From the works
of Hieronymus Bosch, Peter Bruegel the Elder and more recently David
Wojnarowicz, these artists grappled with making sense not only of our finitude,
but of death on a grand scale. Artist’s working during the pandemic turned to
the abject as a means of trying to make sense of the horror of global loss. The
selection will refrain from literal masked ( be they gas or surgical masks)
depictions, instead artists who invoke the uncanny, the strange as symbol for
these strange times, will be invited to exhibit works which speaks to horror on
a conceptual and symbolic level.
David Wojnarowicz, Untitled (Falling Buffalos), 1988-1989

“A violent bunch” Cotton and acrylic thread and rubber 2020
Kaboom! Cotton thread, polyester fiber filling and rubber 2020
BOO-HOO Cotton and acrylic thread and rubber 2020

For more information or to RSVP to the opening, kindly contact the gallery directly.

Women who read are dangerous

Art portfolio- my work, Studio news/blog
TITLE Woman who reads with wolves MEDIUM Thread, polyester fiber filling and rubber 2020 SIZE 45 x 23 x 9 cm

“To love a woman, the mate must also love her wildish nature.” Quote from the book: Women who run with wolves by Clarissa Pinkola Estes

Hannalie Taute TITLE Smell of naughtiness 2020 SIZE 125 X 90 cm MEDIUM Cotton thread and rubber SOLD

“Women who Read are Dangerous’ pays homage to the power of female literacy and education. There was a time, when female literacy was a controversial idea, and it took many centuries before women were entirely free to choose what they read, whether for instruction or pleasure. The group exhibition opens to the public on Tuesday 18 August 2020. (from the press release by Rust-en-Vrede gallery.

“Women who read are dangerous group exhibition is curated by Hamlin Jansen van Vuuren and will run from the 18th of August to 23 September 2020

Participating Artists:

Margaret Nel, Heather Gourlay-Conyngham, Vanessa Berlein, Kim Woodman, Marlise Keith, Anina Deetlefs, Judy Woodborne, Hanneke Benade, Lesley Ireland-Mathew, Cornelia Stoop, Diana Hyslop, Hannalie Taute, Ella Cronjé, , Adele Potgieter and Christiaan Diedericks.

To view the full catalogue click here: http://www.rust-en-vrede.com/wp-content/uploads/2020/08/Women-Who-Read_Catalogue-2020.pdf

.In warm water. On Being. A Womxn. Show

Art portfolio- my work

In warm water, cotton thread, doillies and rubber 2017 (photographed by Kleinjan Groenewald)

Did you know that a female octopus is known as a hen? – (source: internet)

“In the octopus world, females are boss. They are often larger than males and can pose quite a threat. The male is in a troublesome position because he wants to pass on his genes by mating with a female, but females can turn on their partner quick, strangling him and bringing his carcass back to her den as a meal.” (source: http://www.study.com)

In warm water = to be in or get into a difficult situation in which you are in danger of being criticized or punished

 “Prioritizing their motherly duties, females stop eating. But she doesn’t starve to death–rather,when the eggs hatch the female’s body turns on her. Her body undertakes a cascade of cellular suicide, starting from the optic glands and rippling outward through her tissues and organs until she dies”. (source: http://www.smithsonianmag.com

“The scientific jury is still out as to why these clever, resourceful creatures meet such an ignominious end, but there are several theories. Octopuses are serious cannibals, so a biologically programmed death spiral may be a way to keep mothers from eating their young.” (Source: http://www.sciencedaily.com)

on being a woman in the arts, on being a woman in South Africa, on being a woman in this world.

ON BEING is a group show featuring some of South Africa’s finest contemporary artists working in a range of mediums: painting, sculpture, drawing, ceramic and mixed media.

Does one celebrate women’s day in South Africa whilst we are facing a national crisis in gender-based violence? Is it tokenism to celebrate women for one day (or a month)? We asked these questions in discussions for this show. Women artists have and continue to hold their own in our space year-round. However, any opportunity to highlight women- we will take. The title of the show aims to speak to the lived experience of women in this country; it calls for celebration and mourning, as being a woman in South Africa means both. 

This exhibition features works not specifically made for a women’s exhibition, but have been selected by the curators as to offer an insight into the interior world of being a woman and to celebrate our artists by highlighting their work. 

We remember the 20 000+ women who marched on the streets in 1956. We pay tribute to them for their courage and strength. We pay tribute to all our women artists. We look to the future, knowing that there is still much to do.”  EVERARD READ FRANSCHOEK GALLERY PRESS RELEASE

The group Exhibition: “ON BEING/A WOMXN’S show” at Everard Read Franschoek openend yesterday and will run until the 7th of September 2020. Please visit their website for more information.