‘Fees van die Aangenaaides’ (MOTHER.MONSTER.STITCH)

Fees van die aangenaaides. (Archival print on board, textiles, thread and rubber) Photograph of the work courtesy of Berman Contemporary

Hierdie foto het reeds soos ‘n teater stel gelyk – almal glimlag net reg, en staan doodstil. Ek het gewonder, wat as ek dit verander in ‘n partytjie wat dit voorgee om te wees. Die maskers het een vir een gevolg – laggend, skreeuend, te veel tande wat wys. Die blomme het begin oorneem. Hulle doen meestal. Die aangenaaides. Die aangestiktes. Die ongeskiktes.

Ek hou van die idee dat nie almal in die prent behoort nie. Dat ons almal maar net probeer om tred te hou met die opvoering. Dit is snaaks maar ook ietwat spookagtig. ‘n Familie portret wat uiteindelik erken hoeveel moeite dit vat om gelukkig te lyk.

Beste wense vir ‘n wonderlike fees-seisoen saam met jul aangenaaides 😉

*Photos of my work courtesy of Berman Contemporary

MOTHER.MONSTER.STITCH -Call of the monster (Behind the scenes)

Art portfolio- my work, Studio news/blog

“I love new work. It’s oxygen. But it’s equally important to experience life outside of what’s contemporary, beyond the news itself, because when we go back in time, through literature or via any art, we are granted the power of double vision. Simultaneously we see that the past isn’t the present, dressed as costume drama, the past is different. The past is emphatically not now.” -Jeanette Winterson.

“Art opens our imagination. Being able to imagine what it is like to be someone else – including, someone we would never want to know in real life – brings awareness of what is beyond our experience. There isn’t time to experience very much in this life – and much of what we experience just gets lost or, as the poet TS Eliot puts it: ‘We had the experience but missed the meaning’. Could be the poster for social media. Art is there to focus the attention.” Jeanette Winterson

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P.S the two quotes by Jeanette Winterson comes from her new book: One Aladdin, Two Lamps. – If you are looking for something to read during the holidays, I highly recommend this book. Because we all know that “Stories are there to change ‘what is’ into ‘what if’….;-)

Also if you find yourself in Cape Town during the festive season, feel free to visit Berman Contemporary at the V&A Waterfront, Silo District Shop 5A2 to view “Mother.Monster.Stitch. until 22 February 2026.

MOTHER.MONSTER.STITCH. – You are invited!

Art portfolio- my work, Invitations

I am delighted to invite you to my first exhibition with Berman Contemporary AND also my very first monographic exhibition: (An exhibition dedicated to the work of a single artist, usually exploring a coherent body of work, a period, or a conceptual thread within their practice.)

A word from the gallery: “Where does the feminine go when it stops behaving? Mother.Monster.Stitch. pulls you into Hannalie Taute’s stitched, spiked, unruly world – a place where rubber skin, thread, masks and valves come alive. Domestic myths unravel. New creatures emerge. The familiar turns strange, funny, and defiantly alive. This exhibition celebrates the handmade as rebellion – raw, imperfect, intimate and full of bite. Come meet the monster. She might look a little like you.”

Join us for the opening on 6 December from 13:00 – 15:00 at Shop 5A2 Silo District, V&A Waterfront.

Please register your interest by sending an email to the gallery: events@bermancontemporary.co.za

I am looking forward to meeting up in Cape Town 🖤