“Why is it a terrible battle scene like Picasso’s Guernica can be beautiful, while a painting of two unicorns kissing in a flower garden can look like crap. Does anybody really know why they like anything?” Quote of the day from the book: Diary – a Novel” I’m currently re-reading by Chuck Palahniuk.
And while I ponder this question, I know what I like and I know what some collectors like, but I don’t know why…maybe it is because of HOW it was documented? Should an artist worry about it, because our business is to create right?
What I do know and only realized later in my career is that one should take proper photographs of one’s work. (the above picture is a good example of how NOT to document your work circa 2014)- but at least I have some sort of documentation. I was always under the impression that a gallery does that for you, but since all the galleries I worked with in the past ask the artist for high res images of an artwork, I realized that I should up my game 😉
“The best practice is when the paper trail of an artwork can be traced from its current home back to the artist’s studio.” as quoted form the article below:
You can read more here: https://www.familyofficemag.com/artmuseum
